摘要
物质材料、生产方式、商品属性、产品定位、创作者与社会文化情境等多种力量共同成就了景德镇明代民窑青花"线"与"线性"艺术的产生、发展和最终风貌的形成。本文对绘制民窑青花所使用的物质媒材(包括青花笔、青花料、泥坯、釉和器型)进行研究,并分析它们在其线条艺术特征形成中所起的作用。
It is the combined efforts of material, production method, product attribute and positioning, producer, and social context that established, developed, and formed the "line" and "linear" arts of the blueand-white porcelain produced in the Ming Dynasty folk kilns at Jingdezhen. Ibis paper studies the materials, such as brushes, pigments, clay bodies, glazes, and shapes in painting blue-and-white porcelain of the folk kilns, and analyzes their functions in the formation of linear characteristics of art.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2011年第5期105-117,共13页
Journal of National Museum of China
关键词
明代民窑青花
“线”艺术
线条特征
物质材料
Blue-and-white porcelain of Ming Dynasty folk kilns
"line" art
linear characteristic
material