摘要
本文以与专家学者商榷的形式,对唐代乐舞"坐、立部伎"与"九、十部乐"的关系问题再作进一步探讨,阐述了两种乐舞之间,在存在时间上不是改变和替代关系,而是平行和并列关系;在存在方式上,两者关系非常密切,却属于部分重叠或交错之关系。
This paper,based on consultation with experts and scholars,discusses further the relationship between "Sitting and Standing Sets of Music and Dance" and "Nine and Ten Sets of Music and Dance" in the music and dance of Tang Dynasty.The writer believes that these two kinds of music and dance were parallel with each other rather than being changed or replaced with the change of time.The two types of music and dance were closely related in existence,overlapping or intersecting with each other.
出处
《北京舞蹈学院学报》
北大核心
2011年第2期113-116,共4页
Journal of Beijing Dance Academy
关键词
唐乐舞
坐、立部伎
九、十部乐
并列关系
交错关系
music and dance of Tang Dynasty
Sitting and Standing Sets of Music and Dance
Nine and Ten Sets of Music and Dance
parallel
intersection