摘要
"士大夫"与"文人"是中国古代知识阶层的两大基本身份。萌芽于春秋战国之际,成熟于汉魏之间的"文人趣味"是中国古代诗词歌赋、琴棋书画等文艺形式最主要的主体心理依据与价值取向。从"贵族趣味"到"士大夫趣味"再到"文人趣味"是一个历史的演变过程。对于这一过程我们可以从"琴"这一古老乐器功能演变的角度进行考察。
＂Literati＂ and ＂scholars＂ are two basic identities in ancient China＇s academic stratum. First appearing in the Spring and Autumn Period and the Period of Warring States and matured in Han and Wei Dynasties, the ＇＂ scholars＇ taste＂ is the most important psychological support and value orientation in ancient China＇s literary forms such as poetry and lyrics, musical instruments, chess, calligraphy and painting, etc. It is a historical transformation from ＂aristocratic taste＂ to ＂literati＇s taste＂ and then to ＂scholars＇ taste＂. The transformation can be found out from the functional change of the ancient musical instrument, Qin
出处
《江苏行政学院学报》
CSSCI
北大核心
2011年第4期48-54,共7页
The Journal of Jiangsu Administration Institute
基金
2010年国家社科基金项目<文人趣味的历史生成与演变研究>(项目批准号:10BZW014)之阶段性成果
关键词
琴
贵族趣味
士大夫趣味
文人趣味
Qin
Aristocratic Taste
Literati＇s Taste
Scholars＇ Taste
