清中期后官窑彩绘瓷中的御窑厂图像研究

STUDY ON THE IMAGES OF OFFICIAL WARE IN COLOR PAINTING DURING THE CLAN DEVELOPMENT IN THE MIDDLE OF THE QING DYNASTY

清中期以后的官窑彩绘瓷御窑厂图像展现出清帝对于御窑陶冶非同一般的兴趣和控制欲望。从清初到清中晚期,清帝对于御窑及窑业的兴趣也是一个渐进的过程,从我们掌握有限的几个图像来说,在乾隆初年的《陶冶图》是着重对于制陶工序和工艺本身的了解,着重于制陶内部因素,而到嘉庆道光年间,清帝对于御窑及窑业的兴趣,不仅仅限于制陶的内部因素,也渐渐扩大到御窑制陶的外部环境,及御窑厂整体环境。这也是上述几件景德镇御窑窑业图像之所以制作的主要原因。

Painted porcelain kiln after the middle of the Qing imperial kiln plant images show the Qing emperor to the imperial kiln cultivate interest in and control of unusual desires. From the late Qing Dynasty to the Qing, the Qing emperor and the imperial kiln ceramic interest is a gradual process, from our limited number of master images, in the early years of Qianlong ＂mold map＂ is the focus on processes for pottery And process their own understanding, focuses on ceramics internal factors, and to Jiaqing, the Qing emperor and the imperial kiln interest in ceramic, pottery is not limited to internal factors, and gradually extended to the external environment of the imperial kiln pottery And kiln factory whole. This is also the imperial kiln in Jingdezhen ceramic image a few main reasons why production.