摘要
景观作为人类干预自然进程的滤镜,以文化叙事的方式展现了各个时期、不同地域居民的生产及生活方式。然而,在今天这样一个新的历史时期,一些先锋理论家和设计师对当代景观中布景式的文化叙事以及符号化的认知提出了质疑,认为景观(landschaft),作为人类栖居的环境,是一种社会认知和生动的过程,在人类的生产使用和生活体验的过程中展现其文化性,而不只是一种艺术或形式美的追求。本文从分析现有景观叙事的困惑出发,探索了当代景观叙事中新的认知方式和组织策略,并试图揭示景观的本来面目。
Landscape as a filter for a natural process of human intervention, is a cultural narrative, which embodied various productions and lifestyles in different regions and each period. However in this new period, some pioneer theorists and designers in the contemporary landscape architecture have queried the scenic landscape narrative strategy and symbolic cognitive style. They think that the landscape (landschaft). as a kind of social cognition and eidetic process, is the real dwelling, which showed sociality and culture in the process of interaction and using it, not just a work of art or an artistic form. Based on the analysis of old cognitive perplexity of landscape narrative, the article explored new cognitive styles and compositive strategies in contemporary landscape narrative, and tries to reveal the true features of landscape architecture.
出处
《建筑师》
2011年第3期27-32,共6页
The Architect
关键词
风景园林
当代景观
叙事性
认知
栖居形式
踪迹
个体体验
landscape architecture
contemporarylandscape
narrative
cognition
dwelling
forms
trace
individual experience