摘要
董其昌的绘画艺术理论中的仿古主张包含了对"师古人"和"师造化"的独到见解,并将这一主张成功地运用到他的绘画艺术创作中,形成了特有的艺术风格。董氏的仿古主张是他绘画艺术理论中的重要组成部分。通过深入探讨和研究他"师古人"和"师造化"的理论,重新认知董氏绘画艺术中仿古主张中的"创新"精神。
Dong qichang' s theory of painting in the style of the ancients includes his unique perspective of "learning from the ancients " and "learning from the Creator" and he successfully applies this idea to his artistic creation of painting, forming his own unique artistic style. Dong' s position of modelling after an antique is an important component of his theory of painting. The paper displays his innovating spirit from his position of modelling after an antique in his painting through in-depth study and research into his theory of "learning from the ancients " and "learning from the Creator. "
出处
《河南工业大学学报(社会科学版)》
2011年第2期117-119,131,共4页
Journal of Henan University of Technology:Social Science Edition
关键词
董其昌
绘画艺术
仿古主张
Dong qichang
painting
position of modelling after an antique