多多的诗学观念探析

A Probe into Duo Duo's Poetic Concept

面对当代语境,诗人多多以自我生命体验为核心,其当代诗歌有着独有的当代特质。更重要的是,多多的诗学观念,昭示着中国当代诗歌的重要精神向度。在多多的诗歌观念之中,涌动着一种强烈的语言竞技特质。这种语言竞技特质是以建立自己、重塑自己的自我主奏为其诗学原初的境域,进而在创作、语言、意象三个维度上展开了诗歌的三重语言协奏,形成了紧张诗歌这样的专属诗歌品类。更为重要的是,在与世界的对抗和对话中,多多的语言三重协奏诗学不但维护了自我之志,掌控了世界,而且他的协奏诗学逼视出当代诗歌的精神向度。

In face of the contemporary context,the poet Dou Dou has striven to center on his self life experience in poetic creation,thus having imbued his poems with a unique contemporary peculiarity,and above all,his poetic concept has clearly indexed the significant spiritual orientation of contemporary Chinese verse,for his poetic concept is alive with a strong peculiarity of language vitality.This pecularity of language vitality is established by constructing and remolding one＇s own rhythm as one＇s initial register of poetic creation and by implementing the treble language collaboration in terms of creation,language and images,thereby having led to the unique category of intense verse.More importantly,in his confrontation and talk with the world,Dou Dou has,in his poetics of treble language collaboration,not only preserved his self ambition and controlled the world but also clearly signified the spiritual orientation of contemporary verse.