中国当代近三十年文学创作的乡土叙事——以《陈奂生上城》、《活着》、《秦腔》为例

The Local Narrative in Contemporary Chinese Literary Creation in Recent 30 Years

中国当代近三十年文学创作的乡土叙事发生了巨大的变化。从社会政治化乡土叙事模态到对人本体存在思考的叙事模态,再到城乡二元叙事建构的消解,在全球化文化视野层面去审视乡土生活和城乡关系,建构新的乡土叙事模态,这从一个方面也体现着中国当代文学创作于30年间的发展变化,所取得的巨大历史性的进步。其实,当代中国文学创作上的发展进步,亦昭示着中国整个社会改革开放30年的运行轨迹,于文化思想、现实生活上所取得的发展变化与进步。

Tremendous changes have been witnessed in the local narrative of contemporary Chinese literary creation in the past 3 decades,as is evident in the change from the module of the sociopolitic local narrative through the narrative module of meditations on human ontology to the deconstruction of the narrative framework of duality involving urban and rural areas,and to the establishment of the new local narrative module by viewing the urban and rural relation in the context of globalized culture.This is,in one aspect,reflective of the changes and the great historic progress in contemporary Chinese literary creation over the past 30 years.As a matter of fact,the advancement in contemporary Chinese literary creation in the past 3 decades can also exhibit the course of reform in Chinese society over the past 30 years as well as the changes and progress in cultural concepts and actual life.