崇高的暧昧——多元化审美标准语境下的20世纪90年代文学

Literature of the 1990s in the Context of Diverse Aesthetic Standards

20世纪90年代以来,随着市场化改革的深入和社会生活的不断去政治化,整个中国社会的文化价值和审美标准也不断地趋于多元化。在这种审美标准多元化的语境下,文学创作也发生了许多新的变化。论文对20世纪90年代的几种主要的文学现象:"新写实"、"私人写作"、"反讽"以及底层—民间叙事进行分析,认为审美的多元化在带来90年代文学新变化的同时,也引发了诸种非文学的乱象。因此,对20世纪90年代文学的认识,一方面应避免因秉持形而上学的价值论造成对作品的误读,另一方面对于非文学的乱象,应当呼吁作家和读者坚持批判的立场和个体价值的独立。

With the deepening of marketized reform and de-politicization of social life,cultural values and aesthetic standards in the entire Chinese society have also continued to diversify since the 1990s.As a result,literary creation has witnessed many new changes.By analyzing several major literary phenomena in the 1990s,such as neo-realism,private writing,irony and the bottom-folk narrative,the author of this paper opines that the aesthetic diversity in the 1990s has not only brought about new changes in literature but also led to some chaotic phenomena of non-literariness.Therefore,in our understanding of literature in the 1990s,efforts should be made,on one hand,to avoid misreading the works in line with the metaphysical value,and on the other hand,to call on writers and readers to adhere to the critical stance and the independence of individual value in the face of non-literary phenomena.