摘要
近几十年来,中国书法发生了重大的历史性变革。在过去,书法只是作为学问修养的一种表现,如今的书法艺术已经被社会公认为一门纯艺术。从过去的书斋文化走向展厅文化,是当代书法创作的一个重要标志,书法成为一种"竞技"项目。文章围绕着"展厅书法创作"这一主题,对当今书法创作存在的一些问题进行分析及思考。
In recent decades,Chinese calligraphy has witnessed a great historic reform.Calligraphy used to be just a manifestation of knowledge and cultivation,whereas it has now been acknowledged as a pure art in society.The transition from the study culture in the past to the contemporary exhibition culture is a vital symbol of calligraphy creation which has become a "competitive" project and a weathercock in the contemporary calligraphy world.This paper attempts to analyze and consider in an all-round manner some basic issues as to the historical orientation and the status quo of "calligraphy creation at exhibition halls".
出处
《海南师范大学学报(社会科学版)》
2011年第3期122-124,128,共4页
Journal of Hainan Normal University(Social Sciences)
关键词
展厅文化
当代
书法创作
exhibition hall culture
the contemporary times
calligraphy creation