摘要
文学在后苏联没有消亡,甚至年度的文学生产量远超过苏联时代的每年文学创作。然而,后苏联文学的存续及其所显示出的生命力,不能视作是反意识形态的产物,也不可以仅仅看作是文学产业化的结果,倒是应该看到,文学在后苏联的独特性是后苏联社会进程的一个部分,同时也是对其审美的表达。这种情形接续了文学在俄国的传统,从而继续与欧洲文学相区别。造成后苏联文学的如此特质,正在于俄罗斯自身的帝国传统在俄联邦时代不是中断了,而是公开化和合法化了,使俄国重建有了国民认同的依据,文学则成了在审美上促成俄国人认同俄罗斯国家的重要力量。
The post-Soviet Union observed more production of literature than that of the Soviet era instead of its demise. However, the existence and vitality of post-Soviet literature can not be considered either as an extension of ideology or simply as the result of literary industry. Actually its uniqueness should be seen not only as a part of the social process of the post-Soviet but also as an aesthetic expression of that period. This has continued the tradition of literature in Russia, which proceeds to distinguish itself with the European literature. Thanks to the fact that Russian imperial tradition has not been interrupted during the era of the Russian Federation but became open and legitimized, itoffered basis for the become an important aesthetically. reconstruction of Russia with force in promoting Russians' its national identity. Literature has identification in the Russian State
出处
《俄罗斯研究》
CSSCI
北大核心
2011年第2期8-29,共22页
Russian Studies
基金
国家社科基金项目"民族主义的意义与悖论:1990年代以来俄国文学发展研究"(项目编号:02BWW006)的阶段性成果
华东师范大学国际关系与地区发展研究院特聘教授项目<俄罗斯民族主义与俄国社会进程>的支持
关键词
后苏联文学
方法论
民族主义
帝国传统
Post-Soviet Literature, Methodology, Nationalism, imperial tradition