摘要
在中国历史上,元代是一个承上启下的朝代。中国传统文化中凝结于礼乐制度的整体性和集体性在多民族文化共生的社会环境中开始发生裂变,新的文化价值观念日益萌生,元人的艺术观念因此具有其独特的历史内蕴。元代艺术家在继承了儒家传统"抒情言志"艺术观念的同时,更赋予"情"在艺术活动中更加广泛的内蕴,表现出对于情感的本体确认、对于个性情感的张扬和对于世俗情感的肯定等鲜明的时代特征,推动了中国艺术和艺术观念向近代的演进。
In Chinese history, the Yuan Dynasty was a connecting link. The entirety and collectivity condensed in traditional Chinese ritual culture system began its fission in a multi-cultural and multiuational social environment and the new cultural values are increasing clay by day. The idea of art of Yuan also has its unique historical connotation. Artists in the Yuan Dynasty inherited the Confucian tradition of artistic concepts of "expressing emotion", while also giving "feeling" in art activities, more extensive intrinsic, and showed distinctive characteristics of the times, such as ontology of emotion recognition, emotional personality publicity and positive feelings for the secular, which promoted the modern evolution of Chinese art and the idea of art.
出处
《中国矿业大学学报(社会科学版)》
2011年第2期110-113,共4页
Journal of China University of Mining & Technology(Social Sciences)
关键词
元代
艺术观念
缘情本质
本体确认
个性抒写
肯定世俗
Yuan Dynasty
artistic concept
emotion essence
ontology recognition
personality publicity
positive feelings for the secular