摘要
本文针对徐振民的民歌主题随想曲《小路》进行音高材料的综合性分析研究。文章的前两个部分分别从调式材料和音高材料方面进行分析,探究作曲家是如何在作品中将民族化与非民族化的音乐语言加以融合。笔者还运用了兴德米特和声理论对作品中和弦的使用进行分类归纳,通过数据、和弦张力及紧张度的变化来具体地说明和弦之间的运动规律。第三个部分从音级集合理论的角度出发对各个音组之间的关系进行分类,从而发现他们彼此之间的包含关系、互补关系和相似性关系。本文旨在透过多个角度来了解作曲家作品中现代作曲技法与传统材料的融合方式和特点。
This paper makes a comprehensive analysis and research of the pitch material of XuZhenmins’ capriccio on folk song theme"Path." The first two parts analyze themode and pitch materials and explore the composers’ method of integrating the na-tional and non-national musical languages in his work.The author makes classifi-cation and induction of the chords in the composition by using Hindemiths’ har-mony theory,and concretely expounds the movement principles between chordsthrough data,chord tension and tension changes.Part Three categories the tone gro-up relationship from the point of Pitch-Class Set theory and tries to find their in-clusion relation,complementary relation and similarity relation so as to understandthe composers’ blending methods and features of modern composing techniqueandtraditional material.
出处
《乐府新声(沈阳音乐学院学报)》
2011年第2期11-14,共4页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
徐振民
《小路》
调式材料的色彩性对置
多调性思维
色彩性和弦
音高结构
colorful contraposition of modal material/polytonality thinking/colorful chord/Hindemith/harmony theory/ Pitch-Class Set theory