论弦乐四重奏《白毛女》主题-动机的贯穿及变形手法

The Theme-motive Coherent Development and Transformation Method in String Quartet The White-Haired Girl

弦乐四重奏《白毛女》是朱践耳和施咏康于1972根据歌剧与舞剧《白毛女》的部分主题改编创作的单乐章作品。在引子主题-动机的贯穿下,全曲脱离原来歌剧、舞剧以及音乐会组曲模式,采用单乐章的对比集成结构思维,以原作主人公"喜儿"的思想性格及戏剧性情绪变化为背景,在主题变形和动机贯穿的原则下,进一步将多个主题融会贯通的组织在一起。本文从主题来源及性格分类、动机音程贯穿形态以及主题变形特征三个角度论述弦乐四重奏《白毛女》主题-动机的贯穿及变形手法。

The String Quartet The White-Haired Girl is a single-movement piece which was adapted by ZHU Jian-er and SHI Yongkang in 1972.This Quartet was adaptated according to part theme of the opera and ballet The White-Haired Girl.With the coherent development of the introduction theme-motive,the whole quartet broke away from the original mode of opera,ballet and concert suites.This quartet adopted structure thinking pattern of contrast intergration of single movement.It was based on the background. of ideological character and dramatic emotional changes of ＂XI E.r＂, the heroine in the original piece.The composers.comprehensive masterly.organized several themes together under the principle of theme transformation andtheme-motive coherent development. This article expounded the theme-motive co-here nt development and transfortmation method in the String Quartet from threeangles - the s6urce of theme and character classification, coherent configuration of intervals in motive, and the characteristic of theme transformation