摘要
在斯特拉文斯基新古典主义时期的作品中,音组-音调成为了其"引力极"的重要组成部分。作曲家赋予了某个或某几个音组-音调以核心的地位,并通过对它结构特性的确立、在作品中的表现形态、派生逻辑以及进行方式等都做了精心的布置与合理的安排,从而形成了新古典主义音乐典型风格特征。
In Stravinskys’ neoclassical works,tone group-tone became the important compo-nent of his"gravitational pole." He gave the core status to one or several tone gro-ups-tones,established their structural character,carefully and reasonably designedthe manifestation form,derived logic and movement method in his work,and there-fore developed the typical features of neoclassical music.
出处
《乐府新声(沈阳音乐学院学报)》
2011年第2期30-34,共5页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)