摘要
文章从琴歌声辞配合关系的历史渊源、研究范畴的取舍以及隶属于近体诗和词的声辞配合关系四个方面,借助大量的文献资料和打谱译谱实际,全面探讨了中国古代琴歌的声辞配合关系。
This article was totally focused on four aspects: the historical origins of the coordi-nate relationship between music and lyric of Qin Songs;the Choices of its researchcategory;Qin songs was subordinate to modern-style poem;and lyric of Qin son-gs.This article comprehensively probed into the coordinate relationship betweenmusic and lyric of ancient Chinese Qin songs,and the research was based on a lotof document investigation and actual experiences of recreate of ancient scores.
出处
《乐府新声(沈阳音乐学院学报)》
2011年第2期69-74,共6页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
中国
古代
琴歌
声辞配合
关系
China/ancient times/Qin songs/coordinate relationship between music and lyric