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直击要害--技术、本质、创造和慢动作的吸引力 被引量:4

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摘要 维维安·索布切克沿承了汤姆.甘宁分析电影技术中的"吸引力"和"惊奇感"来分析现代电影中慢动作的使用特征以及其独特的吸引力。通过对中国武侠电影《英雄》中经典段落的剖析,以及电影史上慢动作发展的历史沿革,作者得出结论是,在电影特效技术出神入化的今天,慢动作的作用就是"直击要害",展现行为动作的本质。作者还借用海德格尔的理论探讨了新技术与电影之间的关系,并指出慢动作的本质不仅仅事关速度,而且是我们现代生活的中心。
机构地区 不详 北京体育大学
出处 《电影艺术》 CSSCI 北大核心 2011年第4期77-83,共7页 Film Art
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  • 1Martin Heidegger, "The Question Concerning Technology." Martin Heidegger: Basic Writings, trans. William Lovitt, ed. David Fan'ell KreU (New York: Harper & Row. 1977) 314.
  • 2Tom Gunning,' An Aesthetic of Astonishment: Early Filmand the (In)Credulous Spectator." Film Theory and Criticism: Introductory Readings, ed. Leo Braudy and Marshall Cohen Mew York: Oxford UP, 1999.
  • 3Tom Gunning, " Re-Newing Old Technologies: Astonishment,Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century," Rethinking Media Change: The Aesthetics of Transition. ed. David Thombum and Henry Jenkins (Cambridge: MIT P, 2003) 42.
  • 4Gunning, " Re-Newing Old Technologies" 45.
  • 5Linda Williams, " Discipline and Fun: Psycho and Postmodem Cinema." Reinventing.
  • 6Film Studies. ed. Christine Gledhill and Linda Williams (London: Arnold, 2000) 357.
  • 7Ryan Bishop and John Phillips. " The Slow and the Blind," CuLture and Organization io.i (March 2004): 62 (emphasis added).
  • 8Gunning. " Re-Newing Old Technologies" 5i.
  • 9Andre Gauclreault, " Film, Narrative, Narration: The Cinema of the Lumiere Brothers," Early Cinema: Space Frame Narrative, ed. Thomas Elsaesser (London: British Film Institute. 1990) 68-75.
  • 10Anthony Lane, " Partners," New Yorker io Dec. 2004: iog. It is not irrelevant hcretha CLane is reviewing Zhang Yimou' s 2004 martial arts sequel to HERO, House OF FLYING DAGGERS (2004).

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