古典主义在中国研究论题的失语与重估

The Aphasia and Revaluation of Classicism in Chinese Research Proposition

多元新思潮的此起彼伏、明暗显隐已然构成了20世纪现代中国文学史上一幅独特的文学图景。作为一股深刻地影响着整个20世纪中国现代文学建构的潜在文学思潮——古典主义,迄今为止尚未完全敞开并真正地进入学者们的视野。显然,它在现代中国文学史上的"失语",无疑是当下学界所应深自反思与重估的问题,这主要应从以下学术理路轮廓进行介入式的论析:一、古典主义在中国研究论题的"失语"与"重估";二、缘于学术精神内在耦合的结识——梁实秋对白璧德思想的重新发现、秉持与新扬;三、古典主义与20世纪现代中国文学的创作实践现象。古典主义在中国研究论题的"失语"涵盖、标举甚至昭示着20世纪现代中国文学建构存在的诸多隐而不显的复杂性时代历史问题。因此,极有必要对此作出坚实有力而又令人耳目一新的深层审视与宽泛认知,这对人们全面地把握百年现代中国文学的构筑尤具裨益。

The multi-dimensional new ideological trend constitutes a unique literary prospect of the modern Chinese literature history in the 20th century.As a profound impact on modern Chinese literature throughout the 20th century,the potential construction of the literary trends——classicism,has not been completely open into the vision of scholars.Obviously,classicism as ＂aphasia＂ in the modern Chinese literature history,is no doubt the reconsideration and the evaluation question.This should be discussed from three aspects of the academic principles： First,classicism in Chinese research thesis ＂aphasia＂ and ＂evaluation＂;second,the reason that Liang Shiqiu＇s rediscovery of Babbitt＇s thought;third,the creation practice phenomenon of classicism and the 20th century modern Chinese literature.