摘要
本文通过对摄影风格与绘画进行比较,以及摄影艺术的本体性及边缘性的美学理论探讨,来研讨当下摄影课程的教学方向与手段,力图避免高校摄影课程在素质教育中过于空泛,或在专业教学中过于经验,通过对以上几个方面的思考,期望构建一个自由与规范相结合的,凸显人文精神的摄影课堂。
Through comparing with photographic style and painting and discussing the aesthetic theory of noumenon and interdisciplinary of photography,this paper wants to study the direction of contemporary photography and means of teaching,to avoid the too vague Photography courses in quality education or too empiricism in professional teaching.By thinking of the above aspects,the author wants to build a photography class with Humanistic spirit which combining classroom freedom and regulation.
出处
《价值工程》
2011年第21期243-244,共2页
Value Engineering
基金
2009年南华大学优秀课程--<艺术摄影>
关键词
摄影
绘画性
艺术性
摄影艺术的本体性及边缘性
photography
painting marxism
characteristics of arts
noumenon and interdisciplinary of photography