摘要
篆隶是汉字由篆书向隶书演变的过渡字体。镜铭篆隶既表现了秦汉篆隶书体半篆半隶的特点,又运用省略、连笔等方法产生了大量的一字多形的篆隶体。镜铭篆隶一方面表现了隶变的进程,另一方面又滞后于简帛文字和同时期的其它青铜器文字,究其原因是受到了铜镜的工艺性特点与镜铭文字追求装饰美的影响。
The zhuanli scripts refer to the transitional scripts of the chinese characters which are from seal to official script.The zhuanli scripts of the mirror inscription show their characterisitics of half Seal and half official script in the Qinhan Period and produce a large number of polymorphic zhuanli characters by using omission,linking strokes etc.They show the developing process from seal to official script on the one hand,on the other hand they are fall behind Jianbo characters and other bronze characters in the same period,which are influenced by the technical arts of the bronze mirror and the decorative beauty of Chinese characters of the mirror inscription.
出处
《云南农业大学学报(社会科学版)》
2011年第4期89-97,103,共10页
Journal of Yunnan Agricultural University(Social Science)
基金
海南省教育厅高校科研项目(Hjsk2010-73)
琼台师范高等专科学校重点项目(Qtkz200901)
关键词
西汉
镜铭
篆隶
隶变
装饰美
the western Han period
the mirror inscription
the Zhuanli scripts
Libian
decorative beauty