虚构与现实交界的语言

Language That Borders on the Ficticious and the Real

文章对大江健三郎小说《水死》的文本,以及该小说与它引用的大江其他小说的关系进行了细致解读。如通过详细例举,分析指出,小说《水死》中的全体人物,包括男性在内,"仿佛重合相互的声音一样","通过讨论、议论、争论交换彼此的语言",所有的角色都被编织进了幽灵和宿主的关系网之中。而这种幽灵和宿主的网络里的传达线路,不只存在于作为声音的语言里;过去已经印成铅字的长江古义的小说中的语言,也被编织在了这个幽灵和宿主的网络里。大江的作品,不断地相互运动,是试图将现实世界的小说作者和虚构世界的作品中人物乃至叙述者或记述者这一被认为是自明的分界彻底搅乱的一种实践。《水死》这部小说对现实和虚构世界的分界进行了多层次划定,从而避免了自明性所带来的危险。小说里的人物的无与伦比的存在感,是通过独特的语言传达回路创造出来的。

This paper interprets in detail the text of Oe Kenzaburo＇s novel entitled Water Dead,as well as the relationship between this novel and others of his that are cited in it.For example,through specific exemplification and analysis,the paper points out that all the characters in the novel,including the male characters,＂exchange their language to each other through discussions,comments,and disputes or arguements＂,＂as though they were trying to coincide with each other＇s voice＂,all the roles being intertwined into the network of connections between ghosts and hosts.And the communicating lines of this network not only exist in the language as sound;also language of the novels that was typed in the past is woven into that network.Mr Oe Kenzaburo＇s novels,which are in a constant dynamic state,are a kind of practice which is intended to thoroughly confuse the boundary believed to be self-evident between the writers of the novels of the real world and the characters and even narrators of the novels of the ficticious world.The novel Water Dead delimits or demarcates the boundary between the real world and the ficticious world at different levels,thus avoiding the risk which the self-evident boundary may bring about.The incomparable sense of the existence or presence of the characters of the novel is created and conveyed by means of unique language through returning lines of communication.