自然美的先验感性论分析

An Analysis of Natural Aesthetics' Transcendental Sensibility

基于先验感性论,显现在我们视域中的自然物与我们之间存在情感性、本源性关系,我们与自然物之间的情感是构成性的、不可剥离的。对于自然物的审美把握因此而成为必然和可能。与中国传统的关于自然美的理解相比较,基于先验感性论的自然物之美的欣赏重点是自然物的感性形式及其与自然物生命的完美结合,其终结点并不导向充满想象意味的道而是停留在自然物之中,自然物在对其审美的把握中始终处于中心位置而不是可以扬弃的对象。

Based on the transcendental aesthetic, there is relationship of sensibility and origin between the natural objects in human＇s horizon and human.The sensibility between human and the natural objects is formative constituent, not separated. For this reason,the aesthetic grasp of natural objects is necessary and possible. Compared with the tradi- tional Chinese understanding about natural aesthetics, the natural aesthetics based on the transcendental aesthetic fo- cuses on the shape and vital force of natural objects. The termination of natural aesthetics does not lead to Tao but stays in the natural objects. In the aesthetic activity, natural objects are in the center position. Natural objects can not be sublated in aesthetic process.