摘要
构图即画面的形式美,是对画家特定思想表现的最初步骤,也是最重要的一步。整幅作品的构图,凝聚着作者的匠心,体现着作者表现主题的意图与具体方法。构图是作者艺术水平的具体反映,是"立意"的终极体现。画面是否能够充分"达意",就看作者如何去营造画面的构图。"对角线"、"圆形"、"s"形等多种画面形式构成画面的动势,给观者多重的视觉冲击力。
Composition, the formal beauty of the picture, is the painter's first and most important step to perform his or her particular idea. The composition of the entire works, crystallization of.the author's ingenuity, embodies the intention of the performance of the theme and specific method, which is a concrete reflection of the painter's artistic level. Composition is the ultimate embodiment of the "conception" . Whether the picture can completely convey the painter's conception lies in the painter's composition. Various forms of picture, such as diagonal, circle and the shape of S and so on, compose the dynamic effect of pictures, which brings spectators multiple visual impacts.
出处
《广西师范大学学报(哲学社会科学版)》
北大核心
2011年第3期34-37,共4页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
形式
空间
现代中国画
构图
form
space
modern Chinese painting
composition