论民间美术研究范式的当代转向

On Shifting of Research Paradigm of Folk Art Today

长期以来,民艺学界对于民间美术的研究,其主导性研究范式是对民间美术文本的研究。自上世纪90年代末以来,越来越多的学者转向在语境中研究民间美术。民族志、传承人、文化生态、变迁、日常生活等成为关键词,从而表明这些学者具有共同的问题意识和学术取向,也意味着民间美术的研究范式发生转向。

For a long time,the leading paradigm of study on folk art is studying texts about folk art.Since the end of 1990s,more and more researchers have been shifting to do the research in certain context. Words such as ethnography,successor,cultural ecology,change,daily life have become key words, which indicate that these researchers are sharing the same consciousness of guestion and academic tropism,and that the research paradigm of folk art has shifted.