摘要
对数字表现和传统建构之间鸿沟的接受和默许态度,正是诸如肯尼思·弗姆普敦(Kenneth Frampton)这样的批评家们极力反对的。但是,无论现象如何恼人,这种鸿沟其实并不等同于建筑中的去物质化。计算机不是对物质的抛弃和纯粹图像的诱惑.而是对物质性的重新定义。
The antagonism of critics like Kenneth Frampton is directly related to the recognition of this gap between digital representation and traditional tectonics, However disturbing it may be, such a gap is not necessarily synonymous with computer redefines materiality rather than abandoning it in favor of the seduction of pure images,
出处
《装饰》
CSSCI
北大核心
2011年第5期44-49,共6页