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建筑和虚拟:走向新物质性(2) 被引量:1

Architecture and the Virtual:Towards a New Materiality(2)
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摘要 对数字表现和传统建构之间鸿沟的接受和默许态度,正是诸如肯尼思·弗姆普敦(Kenneth Frampton)这样的批评家们极力反对的。但是,无论现象如何恼人,这种鸿沟其实并不等同于建筑中的去物质化。计算机不是对物质的抛弃和纯粹图像的诱惑.而是对物质性的重新定义。 The antagonism of critics like Kenneth Frampton is directly related to the recognition of this gap between digital representation and traditional tectonics, However disturbing it may be, such a gap is not necessarily synonymous with computer redefines materiality rather than abandoning it in favor of the seduction of pure images,
出处 《装饰》 CSSCI 北大核心 2011年第5期44-49,共6页
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  • 1Cf. J. Gleick, Chaos, New York: Viking Press, 1987.
  • 2M. Novak, "Eversion: Brushing against Avatars, Aliens and Angels," Architectural Design 69:9-10 (1999) ; pp72-76, p72 in particular.
  • 3On the diagrams produced by geopolitics, see for instance CI. Raffestin, Geopo/itique et Histoire, Lausanne: Payot, 1995.
  • 4Among the publications typical of this practice, see R, Koek, W. Maas and J. van Riis, Farmax. Excursions on Density, Rotterdam: 010 publishers, 1994; R. Koolhaas, S.Beeri, and S.Kwinter, Mutations, Bordeaux, Arc en Reve. 2001.
  • 5A. Leroi-Gourhan, Le Geste et la Parole, L Technique et Langage. I1. La M . moire et les Rythmes, Paris: AIbin Michel, 1964, 1991.
  • 6Cf. P. Veltz, Mondialisation, Villes et Territoires: L 'conomie d'Archipel. Paris: P.U.F., 1996.
  • 7GPS art is actively exploring this short- circuit between abstraction and concreteness. See for instance GNS Global Navigation System(Paris: Editions Cercle d'Art, 2003).
  • 8Programmes de I'Enseignement Polytechniclue de I'cole Centrale des Travaux Publics, reproduced in J. Langins, La Rpublique avait besoin de Savants. Les Dbuts de I'cole Polytechnique et les Cours Rvolutionnaires de fAn III, Paris: Belin, 1987, pp126-198, 142 in particular.
  • 9See these projects Praxis 4, 2002.
  • 10Ch. Waldheim, "Landscape Urbanism: A Genealogy," Praxis 4, 2002, pp10-17.

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