“出走”作为仪式——契诃夫短篇小说《新娘》主题解析

On Chekhov's "The Fiancée"

本文在对契诃夫的短篇小说《新娘》做全面考察的基础上,对女主人公娜佳"出走"行动的"动力资源"、"出发位置"以及"出走"后史进行系统分析,揭示出小说文本叙事在父权意识形态规导下对前期"女性行动"(出走)及其方式的设计和操控,以及后期"女性行动"("后出走")的叙事对以男性价值主导为书写目标的叙事策略的突破。本文指出,对文学史上"女性解放"母题的修订,使得这篇小说在结构和意义旨向等方面具有了更为深刻和普泛的精神史意义。

Based on a comprehensive study of Chekhov's short story 'The Fiancée',this paper systematically examines the 'dynamic resources',the departure points and the post-departure experience of the heroine's key action – 'departure'.It discusses the plotting and manipulating of the heroine's action at the earlier stage by the narration of the story in the ideology of patriarchy,analyzes the breakthrough from the male domination in the narration of the heroine's 'post-departure' experience at the later stage,and thus argues that the revision of the motive of 'female liberation' in the narration makes the story more significant and meaningful in the history of Russian literature.