郁达夫的南洋形象——有关“南洋郁达夫”研究的清理与反思

A Image of Yu Dafu in Nanyang:Review and Rethink of the Past Study about the Stage of Yu Dafu in Nanyang

在郁达夫的创作生涯中,南洋时期作为其创作和生命的终点,具有相对的独立性。研究者为何和怎样建构出一个他们所认可的郁达夫的南洋形象,需要寻找各自社会、政治、文化和心理等多层面的原因,南洋郁达夫也由此成为一个所指和能指不断漂移的符号,植入了星、马、印、中国、日本特定的历史、地理和文化的空隙中,成为一则开放而多义的社会文本,具有可读性和可写性。

Nanyang period contains the independency relatively as the end of Yu Dafu＇s life and literature creation.Why and how to construct the image of Yu Dafu approved by researchers should be attributed to their respective and interactive factors including social,political,cultural and psychological facts.Consequently serving as a constant floating signifier and signified symbol implanted in the gap of special history,geography and culture in Signore,Malaysian,Indonesia,China and Japan,Nanyang Yu Dafu become an open and polysemous text with readability and scriptablility.