摘要
康有为晚年经历了从"入世"到"出世",从"济人经世"到"天游化人"之人生状态的转变,他晚年追求"圣、仙、佛"的艺术格局,在书法创作中表现出"洗涤凡庸"、"不夹几许人间烟火"的精神境界。康有为晚年随着这种人生状态的转变和最后人格的完善,完成了"兼容篆、隶、碑、帖意味而圆融和谐,且大气雄浑,不失飞逸"的具有个性化的备美"康体"的创作。
By discussing the transformation of Kang Youwei's life ideology in his old age from "active living" to "passive living", from "making efforts to serve the society" to "taking universe as a whole", the paper analyses his art pursuit of "being holly, fairy, and Buddhist" in his old age, and the indication of "re- fusing common worldly sense" in his calligraphy. With changes of ideology and improvement of personality, Kang Youwei completed his creation of integrated calligraphy of "Kang style", which looks harmonious, natu- ral, unrestrained, vigorous and firm, and is of high esthetic value.
出处
《肇庆学院学报》
2011年第4期84-87,共4页
Journal of Zhaoqing University
关键词
康有为
晚年
天游化人
书法创作
Kang Youwei
old age
universe as a whole
calligraphic creation