摘要
"自然"在周作人的文学批评中占据着核心位置。它既是对以《文心雕龙》为代表的传统文论的继承,又经过了具有现代意义和个性的改造。文章旨在厘清二者之间既有相同之处,又存在显著差异的复杂关系,阐明现代文学批评与传统文论之间割舍不断的历史连续性。
"Nature"occupies a core position in Zhou Zuo-ren's literary criticism.It is the succession of traditional literary theory represented by The Literary Mind and Carving of Dragons,also refined by Zhou Zuo-ren.This paper aims to clear up the complex relations between the two and to prove the historical continuity between modern literary criticism and traditional literature theory.
出处
《长春大学学报》
2011年第7期54-57,共4页
Journal of Changchun University
基金
兰州大学人文社会科学学科建设项目(LZUGH09016)
关键词
周作人
“自然”观
《文心雕龙》
Zhou Zuo-ren
"Nature"View
The Literary Mind and Carving of Dragons