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怎样超国界,如何跨学科:张英进教授和比较电影研究

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摘要 这篇述评文章主要围绕张英进教授在《中国电影》杂志创刊号上的《比较电影研究,跨国电影研究:中国电影中的跨学科,跨媒体,以及跨国图景》展开,先简述美国电影研究的学术背景和中国电影研究崛起的现象,然后在解读《比较电影研究》主要观点的同时,评价张英进教授倡导的电影研究方法论和相关思路对于美国电影研究的促动和中国电影研究的启迪和贡献,最后提出一些商榷之处,以及提供与张文呼应的一些电影研究方法和领域。
作者 马纶鹏
出处 《华文文学》 2011年第4期15-21,共7页 Literatures in Chinese
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参考文献12

  • 1张英进,易前良.穿越文字与影像的边界:张爱玲电影剧本中的性别、类型与表演[J].当代电影,2009(11):58-64. 被引量:5
  • 2张英进,武秋辰(译),张英进(校).中国电影比较研究的新视野[J].文艺研究,2007(8):79-88. 被引量:10
  • 3Christina Klein."Crouching Tiger,Hidden Dragon:A Diasporic Reading". Cinema Journal . 2004
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二级参考文献33

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  • 5Sheldon Lu (ed.),Transnational Chinese Cinemas:Identity,Nationhood,Gender,University of Hawaii Press,1997,p.25.
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  • 7Chris Berry (ed.),Perspectives on Chinese Cinema,Cornell University,China Japan Program,1985,p.i.
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  • 9Chris Berry,“The Sublimative Texts:Sex and Revolution in Big Road,” East West Film Journal 2.2 (1988),p.79.
  • 10Michael Ryan,“The Politics of Film:Discourse,Psychoanalysis,Ideology,” in C.Nelson and L.Grossberg (eds.),Marxism and the Interpretation of Culture,University of Illinois Press,1988,p.480.

共引文献13

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