摘要
新时期天津文学创作不仅与梁斌、孙犁等一批老作家的"复出"有着密切的联系,他们以原有的创作风格或以新的创作面貌进入到新时期的天津文坛,而且与蒋子龙、冯骥才等人在新时期中国文坛的崛起有着更为深入的关联,他们在引领或参与新时期文学潮流的同时成为天津文学的代表。进入20世纪90年代,尽管赵玫、肖克凡等人不断推出重要作品,但天津文学创作在中国文学史中的集体消失使其进入了低潮期。这一状况直到世纪之交才得以改观,老作家的回归、中年作家的勃发与年轻作家的突起,使得天津文学呈现出复兴的态势。
New Tianjin literature has relations with not only the comeback of Liang Bin, Sun Li and other aged famous authors whose writing style had changed to adapt to the demand of new Tianjin, but also Jiang Zilong, Feng Jicai and others young writers who led or participated in the development of new literature in the new era and became representatives of Tianjin. In 1990s, although writers like Zhao Mei, Xiao Kefan had many important works, Tianjin literature was still in its hard journey until the beginning of 21st century when aged writers came back, middle-aged writers matured and young writers grew up.
出处
《理论与现代化》
CSSCI
2011年第4期103-107,共5页
Theory and Modernization
基金
天津市社科规划项目"再解读--地域文化视域中的天津长篇小说"研究成果之一
项目编号:TJZW10-1-476
关键词
崛起
复兴
新时期天津文学
Rising
Reviving
New Tianjin literature