唐宋元赋学论

On the Study of Fuin the Tang,Song and Yuan Dynasties

唐、宋、元三代是中国赋学史上的低潮期,研究赋的学者及其成果均不多,但对赋的认识评价曾出现褒贬两种不同意见。由于唐代科举考试需要,唐宋两代出现过专谈律赋创作声韵格律的赋格书。元代问世的祝尧《古赋辨体》是中国赋学史上一部很有价值的赋学代表著作,该书辨析古赋体制源流、评注历代赋家赋作,值得引起赋学研究者的重视。

With few scholars and research achievements on the study of Fu, the Tang, Song and Yuan Dynasties were inactive periods in the Chinese history of the study on Fu. In these three Dynasties, scholars held entirely different views on Fu. In the Tang and Song Dynasties, a few books on the styles of Fu were published, focusing on the rules and forms of rhyme and rhythm about the writing of regulated Fu, so as to meet the need of imperial exams in the Tang Dynasty. Guru Bianti （ The Styles of Ancient Fu） by Zhu Yao in the Yuan Dynasty deserves our attention. It is a representative work of great value in the Chinese history of the study on Fu, illustrating the origins and styles of ancient Fu, and making and criticisms and annotations of the writers and works of Fu from different dynasties.