摘要
戴锦华的研究领域涉及电影、女性主义文学批评与文化研究。她以电影语言、西方文化理论和文化史思想史视野,开创了一条不同于传统电影史研究的"电影文化史"研究范式。在女性主义文学批评领域,她以中国文化传统和现当代历史情境为参照,勾勒出女性书写由"地心"到"地表"的浮现之旅以及现代女性话语的形塑过程。戴锦华提出"文化的位置"这一命题,不仅是寻求在新自由主义崛起的时代对于建构潜能的一次尝试,也是对英国文化研究关于文化与政治经济关系的一次回溯与反思。
As an outstanding scholar in the field of contemporary Chinese literature and arts criticism, Dai Jinhua mainly focuses on film studies, feminist literary criticism and Cultural Studies. With a mastery of film d^scourse and film histories, excellent skills of textual close reading, good command of western cultural theories and profound visions of cultural and ideological history, she initiated a new approach to the study of cultural history of films, very distinct from previous patterns. As for feminist literary criticism, she depicted the emergence of feminist writing and the configuring process of modern feminist discourse, by reflecting on Chinese cultural traditions and contemporary historical context. By analyzing some key words such as "popular", shared space, class and social metophors,the position of culture and intellectuals' critical standpoint, this paper also explores Dai Jinhua's thoughts on the popular cultural studies in present China.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2011年第2期101-107,共7页
Journal of Xinjiang University(Philosophy and Social Sciences)
关键词
电影文化史
女性书写
大众文化
批判立场
Close Reading of Film Texts, The Cultural History of Films, Feminist Writing, Popular Culture, Critical Perspective