摘要
《尔雅注》的宋刻十行本,是该书传世诸版本中较好的一种,但此本板片曾经剜改,故先印本与后印本的文本有所不同。书成后在中国、日本两国又迭经覆刻、影钞,形成了较为复杂的版本系统。本文调查了上海图书馆、北京大学图书馆收藏的宋刻十行本《尔雅注》的各种衍生版本,通过比较刻工姓名、行款字体及文字内容,参证相关文献,对这一系统中各种版本的先后顺序及传承关系进行了梳理。关于顾千里覆刻《尔雅》时是否利用了宋刻十行本的问题,也根据顾氏本人的题跋提出了自己的看法。
The Song Dynasty's ten line edition of Er Ya Zhu is famous and rare,its wood blocks had been mended before,that's why the ten line edition's early printed one has some difference with the later one.The edition was spread in China and Japan,where it was re-carved and copied,all of the derivative editions formed a complex system.The essay studied Shanghai Library and PKU Library's collection,compared their type cutter's name,type style and text,consulted the relative literatures,then arranged their sequence and found out the relation between them.Gu Qianli had also re-carved Er Ya,but whether he used the ten line edition at that time or not,the essay gave a new opinion as well.
出处
《图书馆杂志》
CSSCI
北大核心
2011年第7期91-95,共5页
Library Journal
关键词
尔雅注
宋本
翻刻
Er Ya Zhu
Song edition
Re-carve