摘要
在中国古典意境说中,意境的内涵表现为情景交融、虚实相生、思与境偕。宗白华先生继承了传统的意境思想,并指出境是渊源于佛道之境,同时提出了意境与人格涵养的联系。宗白华先生意境说的创新体现在他所说的意境中的主观世界,不仅是主体的情感,更重要的是主体的哲思。他主张在静照和飞跃的静动两极中,把握意境的审美内涵。尤其是将飞跃的动化成"舞",在意境中表达了生命意识。
In the classical artistic conception, the connotation included the blending of emotion and scenery, the inte- gration of truth and fiction, and the harmony of imagination and scenes. ZONG Baihua' s theory came down from classical artistic conception. He pointed out that the root of artistic conception was Buddhism, and he also refered the relationship between artistic conception and self - restraint. The creation of ZONG' s theory is the meaning of subjective world is not only including emotion, but also including philosophical thoughts. He stood for seeking the aesthetic connotation from the two poles between the aesthetic serenity and aesthetic modification. Especially, he used the dancing to represent the aesthetic modification, and he embedded the life consciousness in artistic concep- tion theory.
出处
《河南教育学院学报(哲学社会科学版)》
2011年第4期94-97,共4页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
意境
情景交融
虚实结合
宇宙意识
静照
舞
artistic conception
the blending of emotion and scenery
the integration of truth and fiction
cosmicconsciousness
aesthetic serenity
dancing