诠释与对话:纪录片主观心绪表达的困局与途径——兼论《英和白》、《我的建筑师》

Interpretation and Dialogue:Dilemma and Developmental Way of Subjective Mood Expression in Documentary

纪录片创作者在进行主观心绪表达的过程中,容易陷入主客体倒置的困局,使得本应成为主体的拍摄对象退居次席,而将创作者自己的心绪、情怀和理念更换为表现主体。而通过伽达默尔阐释学理论中的对话模式,能够实现创作主体、客体之间的互动和激励,从而形成一种表达上的开放格局,使得文本意义的生成具有无限可能性。

While expressing subjective mood in documentary,creators are easily tapped in a dilemma of converting the position between subject and object.Thus forcing the role photographed as the subject to a subordinate state,and instead promoting creator＇s own mood,affection and conception to a primary one.However,according to the dialogue mode of Gadamer＇s hermeneutics,it is not so difficult to balance the interaction and encouragement between creative subject and representative object,thus easily forming an open expression and endowing the text with infinite interpretation possibilities.