摘要
在《林兰香》的文本世界中,凝结和传导悲剧精神的载体就是大量出现于文本世界的死亡叙事。通过对消解了"死"的恐怖和无奈的死亡场景和死亡意象的建构,《林兰香》不仅具有了以"死亡"作为救赎途径的悲剧意蕴,也使《林兰香》获得了优于"艳情"小说和"才子佳人"小说的美学品性。可以说,在中国古典小说的发展历程中,《林兰香》的作者第一次深刻地揭示出生命"有死"的本相。
The vectors that condensed and transmitted the spirit of tragedy is the death narrative appeared largely in the text of " Lin lanxiang".By the construction of death scene and death images," Lin lanxiang" not only acquired the spirit of tragedy that made the "death" as a way for one's own salvation,but also have acquired the aesthetic character that were better than " Pornography" and " Romantic".So to speak,in the phylogeny of Chinese classical novel,the " Lin lanxiang" firstly indicated the fact that the being needed the death in some times.
出处
《湖北师范学院学报(哲学社会科学版)》
2011年第4期36-39,100,共5页
Journal of Hubei Normal University(Philosophy and Social Science)
关键词
《林兰香》
死亡叙事
美学品格
悲剧指向
"Lin lanxiang"
death narrative
aesthetic character
tragic signification