穆尔与叶赛宁诗歌中的生态原型意象对比研究

A Comparative Study of Ecological Archetypes in Moore and Esenin's Poetry

美国诗人玛丽安娜.穆尔与俄罗斯诗人谢尔盖.叶赛宁分别在各自诗作中以"原型"的方式建构各类神启意象,如极光、雾霭、印第安部落、森林界碑、烟囱、铁轨等。具有生态指涉意义的神启意象在二者创作中呈现动态演化的特点,在二者早、中、晚期诗歌里分别启示着生态理想、生态责任和生态预警。神启意象统辖着二者各时期诗歌的生态话语场,以最本质的方式折射出诗人特定时期的生态意识。

By way of ＂Archetypes＂,American poet Marianne Moore and Russian poet Sergei Esenin create a variety of apocalyptic images in their poetry,covering polar light,mist,the Indian tribe,reserve forest marker,chimney,railroad,etc.Ecologically referential,these apocalyptic images are characterized by a dynamic process of evolution,shedding light on ecological ideal,responsibility and premonition in different periods of the poets＇ creation.Apocalyptic imagery reigns over the ecological discourse field in Moore and Esenin＇s poetry,revealing the poets＇ ecological consciousness in the most fundamental manner.