摘要
"诚斋体"在南宋受到普遍肯定,与它在元明清朝受到的冷落和恶评形成极大反差。南宋诗人的创作直接受"诚斋体"影响的并不多,对"诚斋体"艺术特质的理解程度也深浅不一,但是在江西派诗风的长期笼罩之下,人们期待创新,故对"诚斋体"的新变持开放态度;杨万里的观念和创作对南宋诗歌的发展趋向产生了一定影响。"诚斋体"在南宋的接受及其影响折射出南宋诗歌观念、审美标准的嬗替与期待视野的更新。
Chengzhai Style was widely accepted in the Southern Song Dynasty.It was so different that it was overlooked and criticized in the Yuan,Ming and Qing Dynasties.Poets in the Southern Song Dynasty were seldom influenced by Chengzhai Style directly,which resulted in different understanding levels.But with the impact of Jiangxi Poetical School,people expected innovations,embracing the change of Chengzhai Style.Views and creation of Yang Wanli had a comparatively important impact on the development of the Southern Song Poetry.The accceptance and influence of Chengzhai Style in the Southern Song Dynasty reflected the changes of thoughts and aesthetical standard,together with the update of perspectives of expectations.
出处
《南昌大学学报(人文社会科学版)》
CSSCI
北大核心
2011年第4期81-85,共5页
Journal of Nanchang University(Humanities and Social Sciences)
基金
湖北省社会科学研究基金项目"‘诚斋体’与南宋诗歌新变"(2010370)
关键词
南宋诗歌
“诚斋体”
杨万里
接受
影响
the Southern Song Poetry
Chengzhai Style
Yang Wanli
acceptance
influence