摘要
《创业史》在一定程度上背离了20世纪50年代中国农村的历史真实,其主要表现为三种:一是将农村各种矛盾政治化,二是将合作化运动浪漫化,三是将农民生存状态虚拟化;《创业史》的"艺术性"是以图解政策为旨归的,其细节的概念化倾向和语言的口号化倾向都十分严重,从而形成了以艺术的表征与图解政策的本质共存一体的"艺术性";《创业史》的人物"性格化"是以消解人性本质为特征的,其主要表现在消解人的物质属性而夸大人的阶级属性,消解人的文化属性而夸大人的政治属性,从而造成了其文化视角的匮乏和人性的缺失。
The History of Entrepreneurship,to some extent,has deviated the historical facts of the China＇s countryside in 1950s,namely,various contradictions mixed with politics,the movement of agricultural cooperation in China with romance,and peasants＇ living conditions with virtualization.The ＂artistic value＂ in this novel is aimed at illustrating policies,with much inclination to detailed concepts and slogans,having formed the co-existent ＂artistic value＂ of artistic presentation and illustration policy.The personality of the characters in this novel is featured by dispelling the human nature,mainly expressed in dispelling the human＇s physical attributes and exaggerating his class attributes,and in dispelling his cultural attributes and exaggerating his political attributes,resulting in his shortage of cultural perspective and loss of humanity.
出处
《唐都学刊》
2011年第4期44-50,共7页
Tangdu Journal
关键词
柳青
《创业史》
现实主义
再认识
Liu Qing
The History of Entrepreneurship
realism
recognition
