从“三记”创作观念的比较看邵璨《香囊记》对八股文的借鉴

The values of the three plays and the impacts of eight-part essays on Shao Can

从《琵琶记》、《五伦全备记》、《香囊记》创作观念的比较可以发现,高明选择"风化体",以情动人;邱浚选择"生乎义理",以笑乐人。邵璨选择八股文,阐发程朱义理,走出一条以理服人的创作之路,使《香囊记》成为一部八股化的程朱理学教科书,在形式上离戏曲之体的本质越来越远。

The Story of Pipa （an musical instrument） by Gao Ming depicts passion. The Stories of Wu Lunquan and Wu Lunbei （Wu Lunquan and Lunbei） by Qiu Jun describes leg：ends, while Story of Sweet Bag （Xiangnangji）by Shao Can imitates the eight-part essay. Likewise, the writing style makes Story of Sweet Bag （Xiangnangji） deviating far from the nature of a play.