摘要
梁遇春随笔创作,是奉西方"Essay"为圭臬,以杂学作功底,常常作发散性思维,析理精微,笔锋犀利,形成一种"快谈、纵谈、放谈"的"杂谈式"文体特性。就精神实质而言,其思想言说具有一股强大的冲击力,撼动着读者脑海中既有的价值观念,并与中国散文向来重视情趣的传统有所疏离和差异。
The creation of Liang yuchun＇s informal essay which represents divergent thinking,analyses reasoning in an elaborate and subtle way,and wields a pointed pen follows the western criterion of ＂essay＂ and is based on the profound mastery of ＂za xue＂.And it has formed its own stylistic characteristic—＂type of tittle-tattle＂ featuring ＂talk forthright and incisively＂,＂talk freely＂ and ＂talk openly＂.As far as its spiritual essence goes,its thought has a strong impact on preexisting values in readers＇ mind and alienates and differs from ＂temperament and interest＂ the Chinese prose has always been attaching importance to.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第4期106-114,共9页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
国家社会科学基金项目"外国散文译介与中国散文的现代性转型"(04CZW012)
关键词
梁遇春
随笔创作
发散性思维
“杂谈式”文体
Liang Yuchun
Creation of informal essay
Divergent thinking
Style of ＂type of tittle-tattle＂
