论华侨妻子番客婶的文学形象和史学意义

Research on the Images of the Left-behind Wives of the Nanyang Chinese in Quanzhou,Fankeshen,in Literature

本文较系统地考察有关华侨妻子番客婶的文学作品,包括小说、戏剧、传记、散文、诗歌、报告文学、民歌、民间故事和民间传说,从而揭示番客婶的文学形象及其多样性。认为:有关番客婶的文学作品是海外移民带给侨乡的一项文学收获,反映了海外移民对侨乡社会、侨乡文学和侨乡女性的深远影响。番客婶形象及其研究对学界审视和全面评价海外移民史、华侨华人史和侨乡史的发展进程具有特殊、重要的价值和意义。

This article studies the images of the left-behind wives of the Nanyang Chinese in Quanzhou,Fankeshen,In the literature works that includes novels,scenarios,biographies,essays,poems,reports,folk songs,and folklore.It argues that the literature works on the fankeshen demonstrate the passive effects of overseas migration on the development of the literature of Qiao Xiang,showing the profound impacts of overseas migration on the Qiao Xiang society,literature,and women. Researching on the images of the women sheds light on the research on history of overseas migration,overseas Chinese and qiaoxiang.