摘要
《呼兰河传》是萧红倾尽其全部生命并高度融入她思想情怀的典型范本。在这部小说里,她既要担负着对"国民性批判"的重任,又要借以回到童年来疗救个人内心的痛苦,同时还不失以女性的身份来关怀着其他女性的不幸;在这些多重意念的疯狂侵袭下,她无法承担起生命的重负以及摆脱写作的困境,造成了因意念化严重而带来的叙述的紧迫感,使得文本具有了裂痕的现象。这主要表现在"后花园"的温情与"我家是荒凉的"情感裂痕和老胡家大孙子媳妇与冯歪嘴子的性格裂痕两个方面。
The Story of the Hulan River is Xiao Hong' s most representative novel, in which the authoress intends to interpret the critiques of the national character, her innocence in childhood and her care for the other women' s misfortunes. With so many different notions, it' s impossible for Xiao Hong to deal successfully with all writing problems in the novel production. As a result, there exist two main logical and emotional contradictions, i. e. , the tender affection in the "back garden" and the emotional chasm in "my family", the personal gap between the eldest grandson' s wife of the Lao Hus and the son of Waizui Feng.
出处
《楚雄师范学院学报》
2011年第7期36-41,共6页
Journal of Chuxiong Normal University
关键词
萧红
《呼兰河传》
文本裂痕
Xiao Hong
The Story of the Hulan River
logic and emotional contradiction