摘要
柳宗元的"骚体文"因其文体的特殊和艺术上的卓越成就,在宋代受到一致好评。北宋时期的晁补之第一次大量地评点柳宗元"骚体文",初步确立了柳宗元在"骚学史"上的大家地位。南宋的朱熹在晁补之的基础上编订《楚辞后语》确定了柳宗元在"骚体文"创作上的经典地位。刘克庄对柳宗元"骚体文"艺术的高度认同,标志着柳宗元"骚体文"在南宋接受过程的趋于完成。柳宗元"骚体文"在宋代的接受与宋代学术思想的演进历程息息相关,其中透射出宋人"古中求变"的决心与勇气。
LIU Zong-yuan' s "Saoti prose" was highly praised on consensus in Song dynasty because of its unique style and excellent achievements in art. A large number of comments on LIU Zong-yuan' s "Saoti prose" by Chao Bu-zhi in the period of North Song dynasty started to establish the brilliant status of LIU Zong-yuan in the "Sao literature history". In South Song dynasty ZHU Xi compiled Chuneihouyu based on Chao buzhi' s study, which set the classical status of LIU zong-yuan in "Saoti prose". The high acknowledge- ment on the art of LIU Zong-yuan "Saoti prose" by LIU Ke-zhuang symbolized the tendency to finish the process of acceptance of it in South Song dynasty. The acceptance of LIU Zong-yuan "Saoti prose" in Song dynasty, which implicitly reflected the resolution and courage of Song people with regard to the improvement for the previous material and approach, was closely related to the evolving process of academic thought in Song dynasty.
出处
《信阳师范学院学报(哲学社会科学版)》
2011年第4期92-95,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
宋代
柳宗元
骚体文
晁补之
朱熹
刘克庄
LIU Zong - yuan
Song dynasty
prose of SaoTi
Chao Bu-zhi
ZHU Xi
Liu Ke-zhuang