摘要
美国现代派诗人摩尔在后现代主义崛起的50年代末东山再起,助她一臂之力的是旅美中国画家兼作家施美美。本文从摩尔1957年有关"道"的演讲入手,揭示她如何在施美美《绘画之道》的激发下,大胆吸取东方文化营养,实现现代主义诗歌创作的新突破。
出处
《外国文学评论》
CSSCI
北大核心
2011年第3期216-224,共9页
Foreign Literature Review
参考文献29
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1See Qian Zhaoming, Ezra Pound's Chinese Friends, Oxford: Oxford University Press, 2008, pp. 40- 87, pp. 107- 160.
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3Philadelphia, Rosenbach Museum and Library, Moore Collection.
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4See Qian Zhaoming, The Modernist Response to Chinese Art: Pound, Moore, Stevens, Charlottesville: University of Vir- ginia Press, 2003, pp. 225-228.
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5Linda Leaven, Marianne Moore and the Visual Arts, Baton Rouge: Louisiana State University Press, 1995, p. 157.
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6See Mai-mai Sze, The Tao of Painting, New York: Bollingen Foundation, 1956, p. 5.
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7Mai-mai Sze, The Tao of Painting, p. 33.
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8Qian Zhaoming, The Modernist Response to Chinese Art: Pound, Moore, Stevens, p. 226.
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9Mai-mai Sze, The Tao of Painting, p. 16.
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10Mai-mai Sze, The Tao of Painting, p. 81.
二级参考文献9
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同被引文献10
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1Bonnie Costello, Celeste Goodridge and Cfistanne Miller ed. Selected Letters of Marianne Moore. New York: Alfred A. Knopf, 1997.
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