苍劲迅疾 狂放逸致——浙派主将吴伟的笔墨风格

Vigorous and Impetuous,Wild and Carefree

本文尝试分期探讨吴伟的山水画的风格特点,溯源其承传的南宋院体马、夏风格、浙派领袖戴进的风貌以及与后期吴门画派的画风进行纵向比较。其人物画按细笔和粗笔风格,与具有师承关系的李公麟和梁楷的笔墨相比较。结合文献资料的记载,从笔墨的传承中探讨吴伟画作的笔墨风格。

This article attempts to explore the stylish characteristics of Wu Wei＇s mountains-and-waters paintings by stage,trace the Ma＇s and Xia＇s styles of the imperial academy of Southern Song Dynasty and the styles and features of Dai Jin,the leader of the Zhejiang School inherited by him,and compare with the artistic tendency of the later Wu Painting School longitudinally.His figure paintings in the two styles of thickness and thinness are compared to the paintings by Li Gonglin and Liang Kai from whom he learned.In conjunction with records in literature and data,Wu Wei＇s painting style is discussed from an angle of heritage.