“变脸”——析舒曼《声乐套曲》(Op·39)之变序

Face Changing——An Analysis of the Sequence Change in Schumann's "Liederkreis"(op.39)

Op.39《Liederkreis》(《声乐套曲》)是德国天才浪漫派"诗人"舒曼四部著名的艺术歌曲套曲之一。作品一共由十二首歌曲组成,感情真挚动人,旋律抒情委婉,是当今音乐会上演率最高的舒曼音乐品。然而重要的是,经过研究我们发现,这篇由舒曼在他"爱情之年"创作的首部经典力作中的十二首歌,原本有着我们今天音乐者全然不知的"另一套排列顺序"。然而我们今天所知的"顺序"又因何而来。这期间由究竟发生了什么?"诗人"在其中又经历了哪些考验跟垂问。通过艺术家史实和音乐作品的内部变化与构思,我们最终还是会在本文中找到答案。

＂Liederkreis＂（op.39）,consisting of 12 related music works of sentimental melody and impressive feelings,is one of the four well-known group works composed by Schumann,a typical German composer of the Romantics era.＂Liederkreis＂（op.39）,composed in Schumann＇s ＂love year＂ and his first important works,is his most performed works among others.However,in this group works,＂another sequence＂ that is totally unknown to current performers once existed.So how does the present order come into being,and why did such changes occur？ This paper intends to make a study on the historical materials as well as his works,so as to make a reasonable explanation to the formation and change of the performance sequence in this group works,and finally offer an insight to Schumann＇s life and artistic creation.