赵树理创作实践与《讲话》关系初探

On the Relationship between Zhao Shuli's Writing Practice and Mao Zedodng's Talks

毛泽东《在延安文艺座谈会上的讲话》(以下简称《讲话》)规定了一个国家未来数年的文学艺术秩序、标准和原则,在社会革命体制的调整与重构期,赵树理应运而生。他把农民作为小说真正的主人公,并将其以崭新的面貌呈现在文学视域里。但我们研读赵树理解放战争时期和建国后的作品,就会发现其创作实践与《讲话》强调"文艺为工农兵服务"、"与工农兵结合"的内在精神少有契合而多有错位。这种不容忽视的错位,一定程度上影响了赵树理及其作品的命运。

Mao Zedong＇s Talks at the Yenan Forum on Literature and Arts（hereinafter referred to as ＂Talks＂） stipulated the discipline,the standards and the principles of literature and arts for our country in the specific periods.Zhao Shuli emerged as the times required during the period of adjustment and reconstruction of social revolution.Most of the protagonists in his works are farmers who are described as a new look in the literature field.But Zhao Shuli＇s novels during the War of Liberation and after the Liberation are not in agreement with Mao Zedong＇s Talks which the spirits of ＂literature and art are for the workers,peasants and soldiers＂ and ＂taking the road of integrating with the workers,peasants and soldiers＂.The disagreement,to a certain extent,affected the fate of Zhao Shuli and his works.