摘要
刘树纲的荒诞剧《一个死者对生者的访问》,立足中国本土,借鉴西方荒诞派文学,在荒诞中的特有真实、荒诞中的特有深度、荒诞艺术的本土化上,均有瞩目成就,并全方位体现在作品立意、作品结构、作品艺术手法等各个方面,认真总结有利于新时期以来的文学建设。
Liu Shugang's absurd play Death Visits the Living is a Chinese-context-based work drawing on Western absurd literature. It is a piece of remarkable achievements in the particular reality, profundity and localization of absurdity, which are pervasively embodied in the purpose, structure and artistic means of the work. Meticulous summary of the features will benefit the literature development in new age.
出处
《井冈山大学学报(社会科学版)》
2011年第4期98-103,共6页
Journal of Jinggangshan University(Social Sciences)
关键词
《访问》
荒诞性
真实性
深刻性
本土化
Death Visits the Living
absurdity
reality
profundity
localization